Postcards from the Edge: Louis Malle in India

Unaccountably missing or overlooked on most reviewers’ top DVD releases of 2007 was a remarkable set from Eclipse (Criterion’s no frills, affordable editions division) – The Documentaries of Louis Malle. Among the 7 titles featured were the relatively obscure God’s Country [broadcast on PBS in 1986, but filmed in 1981], And the Pursuit of Happiness [1986, also made for television), Place de la republique [1974] featuring man-in-the-street interviews on a busy Parisian boulevard, Humain, trop humain [1974], a fascinating time capsule of French auto workers with industrial noise and Godard-like imagery and the 18 minute short Vive le tour [1962]. But the real highlights of the collection were Phantom India [1969], a 378 minute portrait of that nation that was distributed theatrically as a 7-episode series, and Calcutta [1969], which was filmed at the same time but released separately (It was nominated for a Golden Palm at the Cannes Film Festival). To call both films an overwhelming experience is an understatement to say the least.

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Dancing Queen

Helen (aka Helen Jairag Richardson Khan) is a Bollywood musical legend

Helen (aka Helen Jairag Richardson Khan) is a Bollywood musical legend

The title of the 31 minute documentary Helen, Queen of the Nautch Girls (1973) is a homage to the Indian superstar Helen, who may possibly hold the title of the most famous and beloved of all Bollywood film legends. A nautch girl in India is one who specializes in demonstrating a wide variety of popular dances and Helen had few rivals at this as demonstrated by the remarkable range of her talent in a head-spinning array of film clips from her long career. Continue reading

The Bollywood Elvis in Junglee (1961)

Shammi Kapoor rips it up in  Junglee (1961)

Shammi Kapoor lets it rip in Junglee (1961)

The impact of rock ‘n roll music and the emerging youth culture of the late fifties on Indian cinema didn’t happen overnight but Junglee (1961) – one of the biggest Bollywood hits of its era – was largely responsible for ushering in the swinging sixties while smashing the formulaic conventions of the traditional romantic drama, a staple of the Bombay film industry. Not only was it filmed in dazzling color, a process usually reserved for costume epics only, but it starred the screen phenomenon known as Shammi Kapoor – India’s answer to Elvis Presley. His wild rendition of “Aai Aai Ya Suku Suku” became the rallying cry for his generation and introduced a new word into the Hindi language (Yahoo!), one that expressed an uninhibited lust for life.    Continue reading