Break Up the Dance and Other Film Shorts from Poland

Polish film director Roman Polanski during his student years at the Lodz Film School.

At an early age Roman Polanski began to realize his true ambition to be a filmmaker with a series of short films which were made during his time as a student at Poland’s prestigious National Film School at Lodz. His debut film Morderstwo [English title, Murder aka The Crime, 1957] – a three minute short without dialogue about a senseless murder – and the one that followed it, the three-minute Usmiech Zebiczny [English title: Teeth Smile aka A Toothful Smile, 1957], about a peeping tom, were atmospheric studies in violence and voyeurism that disturbed his fellow filmmakers and raised speculations about the young filmmaker’s dark side. His third short, Rozbijemy Zabawe… [English title: Break Up the Party, 1957], however, aroused considerably more controversy over his directorial methods. 

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Rififi in Tokyo

Rififi in Tokyo poster

Rififi in Tokyo poster

Rififi, Jules Dassin’s quintessential 1955 noir/heist thriller, had quite an impact on the European crime movie genre in its day, although most of its imitators or similarly inspired creations rarely found distribution in the U.S. except as English-dubbed second features in limited runs in a few major cities like New York. I have yet to read of any major film critics or movie buffs like Quentin Tarantino championing any of the Rififi knockoffs. But for anyone with a soft spot for heist films, you might enjoy sampling some of these lesser efforts, particularly RIFIFI IN TOKYO (1963).      Continue reading