Imagine Citizen Kane (1941) on a miniscule budget with a much more ruthless and totally despicable protagonist and you have Death of a Scoundrel (1956), a contemporary take on The Rake’s Progress. Like the former film, it was shot on the RKO backlot and unfolds in a flashback structure, starting with Bridget Kelly (Yvonne De Carlo), personal assistant to self-made tycoon Clementi Sabourni (George Sanders), revealing to the police the circumstances that led to the millionaire’s murder. “He was the most hated man on earth,” she declares, “But he could have been one of the great men in history. He was a genius.”