Howling on the Moors

Almost thirteen years after Basil Rathbone had filmed his final screen appearance as Sherlock Holmes, Hammer Studios decided to resurrect Sir Arthur Conan Doyle’s internationally famous detective in a Technicolor remake of The Hound of the Baskervilles (1959) which had been previously filmed with Rathbone in 1939. The eerie tale, which opens in a flashback sequence to an earlier time, depicts the origins of the Baskerville curse: the decadent Sir Hugo Baskerville brutally murders a servant girl who flees a group orgy at his mansion. Immediately following her death, however, Baskerville hears a strange braying on the moors before encountering an immense spectral hound which avenges the girl’s death. We then flash forward to the present, where Sherlock Holmes and his partner, Dr. Watson, are investigating the mysterious recent death of Sir Charles Baskerville.

Continue reading

Monster Mash

During the 1930’s and early forties, Universal Studios rode the crest of a horror film craze that made them rich and famously established them as the home of Frankenstein, Dracula, the Wolf Man, the Mummy and other screen monsters. But the fear factor was lost over time as their signature creatures were paraded through a series of inferior B-movie sequels. And in the minds of some horror film fans, the genre hit rock bottom with the release of Abbott and Costello Meet Frankenstein in 1948. Once capable of terrifying their audiences, the Universal monsters were now reduced to playing “straight men” to Abbott and Costello’s slapstick antics. Who could ever take them seriously again? Yet, Abbott and Costello Meet Frankenstein is both a first-rate horror-comedy that ranks as one of the comedy team’s finest efforts (and most profitable) and an affectionate homage to the screen horrors who gave us nightmares as kids.  

Continue reading