Often considered one of the most acclaimed and intriguing writers of the 20th century, Bruce Chatwin was more than just a novelist. He was also a journalist, anthropologist, and world traveler who is best known for his debut novel In Patagonia (1977), which he wrote after leaving his prestigious position as an art expert at Sotheby’s. Three of his novels have been adapted to the screen, including Cobra Verde (1987), based on his novel The Viceroy of Ouidah and directed by Werner Herzog with Klaus Kinski in the lead, On the Black Hill (1988), which was filmed on location in Wales by Andrew Grieve, and Utz (1992), which Chatwin once described as a “Middle European fairy-story”. Of these three film adaptations, Utz is often considered the most personal and intricately detailed of the lot because it reflects the author’s own interest in antiquities and art objects. The movie also transforms a highly eccentric story into an accessible portrait of an obsessive personality, one who has amassed a priceless collection of pottery, much of it devoted to ceramic figurines from the Meissen factory (Europe’s oldest porcelain manufacturer).
Continue readingTag Archives: Prague
Karl Loves His Work

Popular Czech actor Rudolf Hruskinsky is the demonic central character in Juraj Herz’s The Cremator (1969).
One of my favorite movements of the 20th century in cinema was the emergence of the Czech New Wave. Out of this creative period, which lasted from roughly 1962 through 1970, the film world was introduced to such innovative filmmakers as Milos Forman (Loves of a Blonde, 1964), Ivan Passer (Intimate Lighting, 1965), Jiri Menzel (Closely Watched Trains, 1966), Vera Chytilova (Daisies, 1966) and Jan Nemec (A Report on the Party and the Guests, 1966). In recent years, other Czech directors have been reappraised and elevated in stature thanks to the proliferation of DVD and Blu-ray restorations of such movies as The Sun in a Net (1961) by Stefan Uher, Pavel Juracek’s Case for a Rookie Hangman (1970) and Valerie and Her Week of Wonders from Jaromil Jires (1970). We can now add to that list The Cremator (1969), Juraj Herz’s macabre fable, which is finally being recognized as one of the key films from the Czech New Wave. Continue reading
Czech Mates

Sylva Koscina and Dirk Bogarde star in Agent 8 3/4 (aka Hot Enough for June, 1964), directed by Ralph Thomas.
Not all of the spy thrillers that followed in the wake of the James Bond craze, which began in 1962 with Dr. No, were pale imitations or grade B action-adventure fare. There were exceptions in this burgeoning genre and one of the best was Agent 8 ¾ (1964, aka Hot Enough for June). Instead of relying on high tech gadgetry, special effects and slam bang action sequences, this British import took a droll, tongue-in-cheek approach to the spy genre and had fun parodying the politics of the Cold War era in its tale of an aspiring novelist being used by British Intelligence as a pawn in their spy games with Communist foes in Prague. Continue reading
