Natural Wonders

Olden, Norway might not be a place you have ever heard of or know anything about but it is located in one of the most stunning and pristine natural settings on the planet. Situated at the mouth of the Oldeelva River and close to the Jostedal glacier, the largest inland glacier in Europe, the small village of less than 600 inhabitants is nonetheless a top travel destination for tourists who travel to Norway. It is also the childhood home of filmmaker Margreth Olin, who has made a film about it entitled Fedrelandet (English title: Songs of Earth, 2023) except it is no conventional documentary. Although it does showcase the awe-inspiring beauty of the region, it is much more intimate in scope since the emphasis is on Olin’s relationship with her parents and how growing up in Olden affected her feelings about nature and her place in the world.

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In the Doghouse

Sigrid, a part-time cashier and psychology student, wants some romance in her life and feels empowered to arrange a meet-up on the Tinder dating app with Christian. They meet for drinks at a café and Christian turns out to be handsome, charming in his own shy way, a perfect gentleman and, as we learn later, independently wealthy. The date goes well and the couple go back to Christian’s home and spend the night together but, in the morning, Sigrid realizes they are not alone. She is greeted by his dog Frank, who is actually a man in a dog costume. But this is not a prank or performance art. This is the real world inside Christian’s domain. At this point any sensible person would flee the premises, right? And Sigrid does at first. Of course, the viewer already knows from the opening frames of Good Boy (2022), written and directed by Norwegian filmmaker Viljar Boe, that Christian is eccentric. Who else would fix a gourmet meal of steak, roasted potatoes and asparagus for their pretend dog and serve it in a doggie. bowl? And if Christian seems odd, what does that say about the guy in the dog suit?

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Showdown in the Arctic Ocean

Quick, name your favorite movie from Norway. If nothing immediate comes to mind it is because very few Norwegian films get imported to the U.S. and the few that do are usually art house fare that play to niche audiences in the major cities. Regardless of that, Norway has had a thriving film industry for years and a few filmmakers have developed international reputations such as Morten Tyldum, who was Oscar nominated for Best Director for The Imitation Game (2014) starring Benedict Cumberbatch as the British mathematical genius Alan Turing, and Joachim Trier, whose 2021 movie The Worst Person in the World received Academy Award nominations for Best International Feature Film and Best Original Screenplay. One of the few exceptions to the above is Orions Belte (English title: Orion’s Belt, 1985), which is considered Norway’s first contemporary action thriller and the biggest box office success in its own country for years. It also won critical acclaim and garnered numerous industry awards in Norway even though Orion’s Belt is essentially a B-movie thriller. Still, the lean, stripped-down narrative, based on Jon Michelet’s 1977 novel (the screenplay is by Richard Harris), and Hollywood-style production values transformed this audience-pleasing genre exercise into something much more intriguing and thought-provoking.

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