The Shame of Shantytown

A Japanese film poster for the 1952 film DOBU aka The Ditch aka Gutter.

One of the most famous Japanese directors of his generation (1912-2012) to emerge from the post-WW2 years was Kaneto Shindo but, outside of a handful of films, most of his work remains largely unseen in the U.S. That is a shame because much of his filmography provides a fascinating glimpse into the lives and mindsets of Japanese people, especially the working class, in the difficult years following the country’s defeat in the war. One of his earliest and most provocative depictions is Dobu (1954), which is also known as The Ditch, but is more accurately translated as The Gutter. And the main protagonist of the film is Tsuru (Nobuko Otowa), who could easily claim to be the most memorable guttersnipe of all time. When the film opens, she is a filthy, wandering beggar on the verge of starvation who collapses in a shantytown known as Kappunuma and here she will remain for the rest of her brief life.

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Beware of Japanese Cats

The avenging cat witch ghost is the star of Nobuo Nakagawa’s Black Cat Mansion aka Borei Kaibyo Yashiki (1958).

Every national cinema has their own homegrown subgenres and mythology when it comes to horror films and I think Japan has some of the most unique and bizarre creatures of all such as the hopping Umbrella ghost from Yokai hyaku monogatari (1968, aka The Hundred Monsters) or the rampaging stone idol of the Majin trilogy which began in 1966. Yet, in terms of eerie beauty and supernatural creepiness, I’m drawn to the bakeneko-mono stories from Japanese folklore with their shape-shifting cat demons and one of my favorites is Borei Kaibayo Yashiki (1958, aka Black Cat Mansion aka Mansion of the Ghost Cat).     Continue reading