People can complain about the seventies all they want but it was a watershed decade in terms of launching new film genres like disaster movies (Airport, Earthquake, The Towering Inferno), Blaxploitation (Sweet Sweetback’s Baadasssss Song, Shaft, Superfly), conspiracy thrillers (Executive Action, The Parallax View, Three Days of the Condor), Eco-horror/sci-fi (Frogs, Night of the Lepus, Soylent Green) and slasher flicks (Black Christmas, Friday the 13^th, Halloween). Arriving later in the decade was the environmental drama as represented by The China Syndrome (1979) and other films that addressed the dangers of nuclear power, man-made toxins and air pollution. Interestingly enough, one of the first movies to address the lethal health hazards of air pollution in the guise of an investigative thriller came from Canada entitled One Man (1977). It was produced by the National Film Board of Canada, directed and co-written by Robin Spry and featured Len Cariou in the leading role of a television reporter who is threatened by a powerful corporation over a controversial news story