Some believe “Old Dark House” thrillers began with J.B. Priestley’s 1927 novel Benighted, which was adapted for the screen by James Whale as The Old Dark House in 1932. The reality is that the template had already been created by Mary Roberts Rinehart in her 1908 novel The Circular Staircase, which she reworked into a highly successful 1920 Broadway production entitled The Bat with playwright Avery Hopwood. Author and actor John Willard also had a Broadway smash hit with his 1922 play The Cat and the Canary, which shared a number of familiar horror/mystery elements with Rinehart’s creation, most significantly the gloomy mansion in an isolated setting with a menacing character prowling the corridors.
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The Vampire Moth
There are a number of classic Japanese horror/fantasy films from the fifties and sixties that genre fans in the U.S. have read about but never seen due to their unavailability on DVD or Blu-ray. In recent years a few of these have appeared in domestic release versions such as Nobuo Nakagawa’s 1960 allegorical masterpiece Jigoku (released by The Criterion Collection), in which a hit-and-run driver literally goes to hell, and the director’s 1968 supernatural tale Snake Woman’s Curse (released by Synapse Films). Many of the most famous examples of Japanese fantasy/horror from this period, however, still remain elusive for American viewers unless you own an all-region DVD/Blu-ray player and are willing to purchase import discs from Japan, often with no English subtitles. It is also true that many of these classic genre efforts were directed by Nakagawa who is famous for supernatural chillers as The Ghosts of Kasane Swamp (1957), Black Cat Mansion (1958), and The Ghost of Yotsuya (1959). But I have to admit that one of the director’s creepiest and least seen films is Kyuketsu-ga (English title: The Vampire Moth, 1956), which combines mystery thriller tropes with grotesque horror elements to achieve a delightfully macabre brew.


