Anthony Mann’s Overlooked Western

1950 marked an important turning point in the evolution of the Hollywood Western and Broken Arrow, directed by Delmer Daves, was largely responsible for that. A sympathetic treatment of the plight of the Apache people and their way of life, the film was the first major studio western to depict Native Americans as something other than bloodthirsty savages or naive primitives. The real hero of Broken Arrow was Cochise (Jeff Chandler), the Apache leader, and not the cavalry scout (James Stewart) who marries an Apache woman (Debra Paget). The film’s liberal views on race and the white man’s treatment of the Native-American were considered daring at the time and garnered much critical acclaim. It also earned three Oscar nominations including one for Best Screenplay (by Michael Blankfort). The downside of all this is that Broken Arrow‘s success completely overshadowed Devil’s Doorway, which was released the same year and also addressed the terrible treatment of this nation’s original settlers.

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Teacher’s Pest

After 13 years as a MGM player and star attraction with 19 feature films to her credit, Esther Williams found herself facing an uncertain future in 1955 when her contract with the studio ended. But her next move not only surprised herself but must have made her fans and former colleagues at MGM do a double take. She starred in a lurid psychosexual melodrama from Universal-International, shot in Technicolor, entitled The Unguarded Moment (1956). 

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