Avenging Apparitions

The Japanese film poster for THE GHOST OF YOTSUYA (1959), directed by Nobuo Nakagawa.

Based on a kabuki play written in 1825 by Nanboku Tsuruya, The Ghost of Yotsuya (Japanese Title: Tokaido Yotsuya Kaidan) is one of the most popular and famous of all Japanese ghost stories. It has been filmed countless times over the years but Nobuo Nakagawa’s 1959 version of The Ghost of Yotsuya might be the definitive version. The story is one of fate, passion, betrayal and revenge – all classic themes of kabuki theatre and Greek tragedy.

Iemon (Shigeru Amachi) concocts a murderous scheme to marry Oiwa (Katsuko Wakasugi) after her father rejects his proposal in THE GHOST OF YOTSUYA (1959).

The film follows the devious machinations of Iemon (Shigeru Amachi), a ruthless itinerant samurai with designs on Oiwa (Katsuko Wakasugi), who comes from a respectable family. When Oiwa’s father refuses to grant permission for Iemon to marry his daughter, he is slain, along with his retainer, by Iemon. The entire incident is witnessed by Naosuke (Shuntaro Emi), a lamp carrier, who helps Iemon dispose of the bodies in exchange for a partnership that will benefit them both.

An alternate Japanese film poster for THE GHOST OF YOTSUYA (1959), directed by Nobuo Nakagawa.

In time Iemon grows bored with his wife and turns his attention toward Oume (Junko Ikeuchi), a wealthy heiress. He soon plots the death of his wife, first arranging an adulterous tryst for her with Takuetsu (Jun Otomo), an admirer, and then poisoning her and slaying her suitor. All goes well until Iemon’s wedding night when the vengeful ghosts of Oiwa and Takuetsu appear and trick the samurai into murdering his new wife and her parents. But the spirits’ revenge doesn’t end there.

Iemon (Shigeru Amachi) is haunted by the spirit of his slain wife Oiwa (Katsuko Wakasugi) in THE GHOST OF YOTSUYA (1959).

Highly theatrical in its presentation, The Ghost of Yotsuya transitions from its opening stage set to a stylized mixture of natural locations and outré art direction. The film’s striking use of color cinematography was clearly influenced by the international success of Hammer Studios’ The Curse of Frankenstein (1957) and Horror of Dracula (1958) and so was the level of violence depicted with grisly close-ups of slashed bodies and amputated limbs.

A bloody corpse arises from the depths of a pond in the Japanese supernatural thriller THE GHOST OF YOTSUYA (1959).

The special effects and makeup, in particular, are still potent with such haunting images as Oiwa observing the horrible disfigurement of her face from poison or the sight of the spirits rising from the depths of a blood red swamp, their bodies nailed to wooden boards.

Iemon (Shigeru Amachi) is unable to escape the relentless stalking spirit of his murdered wife Oiwa (Katsuko Wakasugi) in THE GHOST OF YOTSUYA (1959).

By the time Nobuo Nakagawa directed The Ghost of Yotsuya, he had already established himself as a supreme stylist of supernatural tales, evidenced by the popularity of such genre fare as The Vampire Moth (1956), The Ceiling at Utsunomiya (1956), The Depths (1957), Black Cat Mansion (1958) and The Woman Vampire (1959). While The Ghost of Yotsuya is celebrated as a masterful visual interpretation of this traditional kabuki ghost tale, the film’s often startling bursts of surrealism and shock effects look forward to Nakagawa’s much more experimental and disturbing Jigoku (1960, aka The Sinners of Hell), a film that is considered by many Japanese film scholars to be the director’s masterpiece.

The Japanese film poster for JIGOKU (1960).

Tony Rayns, film reviewer and Japanese cinema expert, wrote this assessment of The Ghost of Yotsuya for TimeOut: “Now considered a classic, Nakagawa’s adaptation of Nanboku Tsuruya’s kabuki play went unhailed by critics at the time but was popular enough to prompt at least three remakes in short order (by Tai Kato in 1961, Shiro Toyoda in 1965 and Issei Mori in 1969)….Concisely plotted and fast-paced, the film somehow reconciles classical elegance with Nakagawa’s patented shock effects. Both the remarkable use of sound and the colour expressionism influenced other directors. Nakagawa’s finest hour.”

Japanese director Nobuo Nakagawa

Strangely enough, Nakagawa’s version of The Ghost of Yotsuya is not currently available on any format in the U.S. unless you own an all-region Blu-ray/DVD player and can find an overpriced import release from online sellers. Radiance Films recently released the Blu-ray boxed set Daiei Gothic – Japanese Ghost Stories which includes Kenji Misumi’s 1959 remake of The Ghost of Yotsuya. Although it is also highly recommended for fans of Japanese ghost stories, it isn’t as definitive or as famous as Nakagawa’s take but maybe The Criterion Collection or some other boutique cinema outfit will consider releasing Nakagawa’s version in the future.  

Katsuko Wakasugi plays a murdered samurai’s wife whose spirit take revenge on her evil husband in THE GHOST OF YOTSUYA (1959).

*This is a revised and expanded version of an article that originally appeared on the Turner Classic Movies website.

Iemon (Shigeru Amachi) is a memorable villain who gets his just deserts in the famous Japanese supernatural tale THE GHOST OF YOTSUYA (1959).

Other links of interest:

https://jfdb.jp/en/person/29199

http://www.brns.com/japan/pages1/japan100.html

https://www.criterion.com/current/posts/448-jigoku-hell-on-earth?srsltid=AfmBOoq-E_jyOlfwcMzO9wRk8ZfM_vUy2BaBpspeA7WsWlbgpb_6q0mX

https://www.bfi.org.uk/lists/10-great-japanese-ghost-stories

 

 

 

 

 

 

 

 

 

Leave a comment